Showing posts with label radcliffe and maconie. Show all posts
Showing posts with label radcliffe and maconie. Show all posts

Tuesday, 7 September 2010

Not so Big Yin

Sorry about that, I've been away again, and work's turning to a pile of steaming shit at the minute so I haven't been arsed to blog.
Anyway, while I was away at the Edinburgh Festival I met Billy Connolly. Well, when I say met I shook his hand. I don't normally hold with approaching famous people for number of reasons: 1) they probably don't want to be disturbed and you might get a 'fuck off' 2 ) I'm incredibly shy 3) I hate massaging egos 4) there's that old adage about meeting your heroes - you'd only be disappointed.
I can count on the fingers of one hand the famous people I've met, they are Mickey Dolenz (a former resident of this town whom I used to serve on a regular basis), Brian Laws (former Nottingham Forest player, now manager of Burnley. His appearance fee was 1.5 ltr bottles of Gordon's gin, Bell's whisky, Smirnoff vodka and Courvoisier brandy. Thing is, we found out later we could have had Stuart Pearce who was the England captain at the time but Laws got in first. Groo!), Bill Maynard (at the height of his "Oh No, It's Selwyn Froggatt" fame. His catchphrase at the time was "Magic, our Morris" and that's exactly what he said to me), John McGovern (former Nottingham Forest twice European Cup-lifting captain, the only man to have captained a European Cup-winning side more times is the great Franz Beckenbauer. It was at a book-signing, my mate asked me to take along his Forest shirt to be signed, when he asked me who it was for I said "Steve" and from then on he addressed me as 'Steve'.).
The only person who I've always said I'd approach is Mark Radcliffe. My admiration for that man knows no bounds. He's my generation's John Peel. I'd just like to shake his hand and thank him for all the great music he's introduced me to and for all the listening pleasure he's given for the past sixteen years. Let me tell you, when you have a job supplementing your income by delivering Chinese takeaways at night in this town his, and Lard's voice, were always welcome. Especially as it was on his show where I first heard Pink Floyd with Syd Barrett. You'd also get poetry mixed with comic turns and top notch session guests. He's still great and whoever decided to put his show down to three nights a week should be shot. I also believe that Radcliffe buys anyone who approaches him as a fan a pint. So, happy days!
Back to Connolly then, I was walking in the Grassmarket area of Edinburgh's Old Town at about ten in the morning. I saw this bloke walking towards me with long white hair and a small pair of spectacles on the end of his nose. I thought to myself "'Ello" I thought "This bloke looks a bit like Billy Connolly". The giveaway was a banjo pin badge on the lapel of his jacket, by this stage he was a few feet in front of me. I just stuck my hand out, he took it shook it and I said "I'm a massive fan. Thanks" to which he just said "Thanks very much" and carried on walking. That's all that was required, no trying to stop and get a picture or chat, I met my ultimate comic hero. End of. The thing is, if I'd had chance to think about it I wouldn't have done anything, I'd have just thought to myself "Oh God, there's Billy". No doubt he completely forgot about it a minute later and went about his business, although I like to think that he hasn't washed his right hand yet. And why he's called 'The Big Yin' is lost on me, he's no taller than my 5' 11".
I know that they're a probably people reading this who meet well known people all the time, who'll think "Wow, you met someone famous" but it was a big deal to me (as someone who spent far too much of his youth listening to his records and watching his videos), and to which I say this, it's about the quality of the personality, not the quantity

Tuesday, 18 May 2010

Fed up


Sorry about the break, but I have got a life you know, one where I do a proper job instead of staring into a computer all day.


Anyway, Radio 2. I normally hate those wankers who spraff off about their favourite radio station like they own it - I think I've blogged before about Radio 4 listeners - but what's going off at Radio 2? As it's one of the few channels I can get on my radio at work I tend to listen for most of the day. For a start they put Graham Norton on to 'dep' for Chris Evans. He made a balls up of it, not radio fodder at all. Then they go and announce him as the replacement for Jonathan Ross. Who decided that? A deaf person? And what is this show going to consist of? I think I know: him fawning and giggling all over crusty old actresses from the bloody 1970s no bastard's heard of for years, if at all. Gemma Jones, anyone? No, me neither.

Theses tossers at Radio 2 had already incurred my wrath for cutting Radcliffe and Maconie's ace show from four nights to three - then replaced them on night four with Jo Whiley. I realise La Whiley's too old for Radio 1 now (even though Westwood's well into his 50s), but why knock down a perfectly good show so that she can come on and introduce Paul Weller at the BBC theatre for the umpteenth time? (I don't like Weller either, more of him in a future post)

Then over the past week we've had a brace of announcements. For a kick off that walking car crash that is Richard Madeley has announced that he's in talks with Radio 2 'bosses'. I'm hoping he'll be on one of those Sunday morning shows where he reviews the Sunday newspapers, which'll be okay by me because there's nothing more inclined to get me to turn off the radio than listening to some lazy DJ going through newspapers (unless it's Sarah Kennedy which is always fun-for-all-the-wrong-reasons. Especially as last week she read out an article on 'funny' place names and mentioned a place in America called Spunky Puddle which flew straight over her head. Funny how she didn't mention Shitterton though. Or Racistdrunktelegraphreader-on-the-Wold).

And this week we've had to suffer the indignity of Chris Tarrant doing Steve Wright's show. Jesus, I never thought I'd say this but come back Wright, all is forgiven. The fork-throwing funster's interview with Simple Minds' Jim Kerr on an ISDN line was cringeworthy. Get off Tarrant, you're shit. Yeah, you heard, SHIT!


Enough of that, unlike the rest of the UK population between the ages of 35 and 45, I didn't watch that Boy George thing because I hate both Culture Club and so-called New Romantics. If I never hear Karma Chameleon, that Hurt Me thing or that shocking War song again it'll be too soon. I tire of the rose-tinted spectacles everyone of my generation sees the 1980s through. Mind you, I reckon the three greatest albums of the decade were Metallica's Master of Puppets, Slayer's Reign in Blood and Talk Talk's Spirit of Eden. Hardly Pelican West or Deep Sea Skiving, are they? And not a Roland synthesizer in sight.


The drums then. Cor, I had a great time last week. We got into drum fills. I think I'm going to be of the drumming school that twats it as hard as they can because they like to make a noise, a bit like Dave Grohl, not a bespectacled 'thinker' like Bill Bruford. Talking of thoughtful drummers, there was a great one on Young Musician of the Year this week. She played a thing by Frank Zappa, which, as you can imagine, was a little avant garde. She showed amazing restraint, I just like to smack the drums and cymbals. My tutor's asked me to come up with a drum solo ready for next week. Horror of horrors, a drum solo! Not a horror for the bastard playing it though. Tee, and indeed, hee.


I leave you with one of my favourite tracks from my new favourite band. They are *shhh, whisper it * nu-prog. Run for your lives! The drumming on the whole album is immense though, not that anyone reading this will actually play that video of course, but hey-ho, I like it, it's your loss etc...

Monday, 13 July 2009

If you believe they put a man on the Moon


I've decided I like niceness. I think events over the past few months have taught me to be a nicer, more tolerant person. I've even decided to stop dissing other people's taste in music; if you like it fine, please listen and gain your pleasure from it. (besides, I can hardly talk considering I own albums by Yes) I like the sort of all pervading niceness you get on say the Radcliffe and Maconie radio show, which is just like listening to your mates banter punctuated with some quality tunes. Or I like the sort of niceness you get on BBC4.

Well, I thought I'd turned to niceness until the weekend. It started off badly with me coming home from work on Friday night to be confronted by Friday Night Jonathan Ross. The line-up was Vivienne Westwood, James May and Rufus Wainwright. Westwood came out and it was pretty obvious from the off that she there to bang on about the environment and how we were all fucked. She didn't need to tell me that, I know already, where's she been for the last ten years? Personally I think, by the look of her, she's been playing an ageing Elizabeth I in yet another film about the troubled Tudor monarch.
Then, after James May who spoke more sense about the fragility of the earth and environmentally-friendly transport in the space of a minute than Westwood did in her whole interview, they wheeled on that droning sod Rufus Wainwright. What gives with him? Is he the emperor's new clothes because I can see absolutely nothing to attract me to his music whatsoever. I've worked with openly gay guys and they've all been the most happiest-in-their-own-skin people I've ever come across. He makes being gay sound like a slog. Besides, he must have some pretty saucy snaps of some high-ranking BBC official considering he was interviewed on Radcliffe and Maconie on Wednesday night, had a full hour long Imagine film dedicated to him on the same night and on Friday had fifteen minutes with Jonathan Ross to plug his new sodding opera which no one wants to see.

Now, lets' move on to Master Chef, I only watch the celebrity ones as I can't be doing with real people cooking lamb with a redcurrant jus. How come Middlemiss won? After a week of cooking challenges, where she was proved to be the worst cook, she made the best all-round meal at the end and won. What was the point in the previous bits of the final if they're not going to be taken into consideration? I've never liked Middlemiss anyway.

Moving onto Saturday and the only two minutes I caught of that Katie Price interview left me spitting my cider all over the settee. She went on television and told everyone she'd had a miscarriage. Is there nothing she'd like to keep private? Then she revealed she'd 'ran the marathon bleeding.' (presumably the London marathon) Did we need to know that? Of course not.

I'd like to say though how much I've enjoyed BBC 4's series of programmes marking the 40th anniversary of the Moon landings. I love all that old NASA stuff. One programme concerned Neil Armstrong's withdrawal into being a semi-recluse. Can't say as I blame him, after all, what are people going to ask you? "What was walking on the Moon like?" That's what people ask you. How tiresome would that get? And let's not forget, he was good at his job which is why he was picked as an astronaut. He didn't do it for fame. Do you think ITV would show an exclusive interview with Neil Armstrong on a Saturday night? A man who, let's face it, has a million more interesting things to say than Katie Price, Jordan or Rufus Wainwright added together. No, I don't think they would either. More's the pity...

Wednesday, 1 April 2009

April fool


Well, not much to report here. You'll have to get used to more sporadic blog posts as I don't enjoy all the internet access that I used to, and an immediate family member is going through a pretty major health scare at the minute.

Anyroad, have you seen - the incorrectly-titled - Chris Moyles' Quiz Night? If you haven't, then don't. A bigger dog's breakfast of an 'entertainment' show I've yet to see. I've nothing against ugly people on the telly, but I am against ugly cretins on the telly.
What I have been enjoying on the telly though are I've Never Seen Star Wars (and in Fawlty Towers and Dark Side of the Moon, Rory McGrath picked two things I'm a bit of an expert on), Genius (even though I've never previously had much time for Dave Gorman). I've also been watching - the incorrectly-titled - Monty Halls' Great Escape. If you've not seen it, and I don't think any of you will have done, it's about a rather enthusiastic bloke who chucks in his life for six months and goes to live in a crofter's bothy on the west coast of Scotland. Very idyllic. I reckon I could manage that, I don't mind my own company and as long as I had my iPod and stack of decent books I'd be in my element. Besides, the local village, Applecross, seems to have a ready supply of buxom, red-cheeked women who were all clamouring for his attention. I found that he was rather in love with his dog though, which was a worry.

I've finished Stuart Maconie's new book. For a travel book it left me oddly not wanting to visit many of the places in it. I suppose that's because I come from a smallish town in 'Middle England' and that's, er, what it's about. When you come from somewhere like this you tend to reach out either for the anonymity of the urban sprawl or, being British, for the taste of fish and chips on the seafront. He bigged-up Bath and Leamington Spa, two places I've been to myself and enjoyed immensely. He's cock on about Grantham though. I worked there for four years, and it's a really strange place (about a half mile down the same road as Thatcher's birthplace sits on, which was his reason for going). It's as though someone built a town in the middle of a bypass.
He goes to Cambridge, which is somewhere I've never been and always wanted to go to. I love Pink Floyd and want to go and immerse myself in the fabled Grantchester Meadows. There's a lovely Floyd promo film for the song Scarecrow, which features Syd Barrett and co frolicking on the Meadows. The colours are gorgeous. I might do that over the Easter break, go to Cambridge, it's not much more than an hour's drive from here.

I've also been dabbling in Spotify. I wanted to listen to a new album by a band called The Decemberists, and Spotify gave me it right there and then (I can highly recommend the album, by the way, if concept albums about infanticide and burying the bodies in enchanted woods is your thang). The other day I fancied listening to Deep Purple's Fireball, instead of rummaging around looking for the CD I just pulled up Spotify and set Fireball playing. Will it spell the end for purchased music? Not in my world, I like the feeling of ownership.

I watched Quantum of Solace on DVD last week, someone lent me it. Oh dear. I have to say I thought it was terrible. I couldn't really follow what was going on. It just seemed to be a load of action sequences stitched together with the faintest whiff of a story. There were no laughs, no Q, no Miss Moneypenny, no gadgets. The only light relief came with Gemma Arterton's character Strawberry Fields. That's right, they're naming Bond girls after Beatles' landmarks. What next? Penny Lane? Abi Rhode? And why can Bond seemingly control any vehicle? He was a master in a speedboat, a car, a commandeered motorcycle and a WWII DC3 aircraft.

As I was a Twitter denier, I've gone over to the dark side and joined. I knew it was a mistake the minute I did it and tried to delete my account. It wouldn't let me, "Twitter is stressed at this moment and can't perform that function." I've tried deleting it since and it won't let me. So I'm stuck with it. Why do they treat you like an imbecile? "Twitter is stressed", no it isn't, it's a website, it doesn't get 'stressed'. It's like those smoothie bottles that say stuff like "We've packed thirteen pieces of fruit in here because of all the yummy goodness, and we like to make sure you get your five-a-day because mummy can't be there all the time to make sure you do". I'm not a child.
So if anyone fancies following my mundane life on Twitter, then you can go and find me.

Just a quick thing about the Radcliffe and Maconie show on the 6th of April. Andy Partridge is on it and, if his previous appearances on Radcliffe shows are anything to go by, he makes for very entertaining listening.

Anyway, must go, but here's what I've been listening to just lately:

I love late 60s Rolling Stones, it's a goldmine, Sympathy for the Devil, Gimme Shelter, Jumpin' Jack Flash, this one's my favourite though.




Love this new single. Everyone says they here Kate Bush and Goldfrapp in this, weirdly, I hear All About Eve.





This has had a few plays on R & M. It should have been Britain's entry for this year's Eurovision, unfortunately, he's Norwegian, or summat.



Oasis don't pull any trees up musically. But I love this, they can still release a decent rock single every now and again.




Also listening to something called Kardomah Cafe by a band called The Cherry Boys, which was on the radio the other day. There's no You Tube clip for that though.

Friday, 23 January 2009

Underneath the Archers


I've never really liked radio drama. I think this is because when I was very small I had the trauma of listening to something called Waggoner's Walk on Radio2 every day during Pete Murray's Open House show. I don't remember much about it apart from the the way there always seemed to be a lot of whisky decanters being clinked against whisky tumblers (they certainly drank a lot down Waggoner's Walk). I found out later that the actors couldn't even be arsed to learn their lines, they used to read straight from the script. Surely the least actors can do is be bothered to learn their lines? And the sound effects always bugged me because I'd listen and think to myself - after watching radio sound effects men seemingly every week on Jim'll Fix It - 'hmmm, that's someone walking on a tray of gravel.....yeah, that's a turn-handle thing which makes a noise like the wind...okay, that's not a full-size door, it's a little mini one...and that's the someone banging a jug of water against a bathroom tumbler, they always have to bang the jug against the glass, it's the sound effects man's law...'
So imagine my shock this week when I realised that I've started listening to The Archers. I was going through the dial at work the other night looking for something to listen to and up popped The Archers. It reminds me of when Emmerdale was called Emmerdale Farm in that absolutely nothing happens. Take Wednesday night's episode, it revolved around a family making some marmalade and hilarity ensued over a jam thermometer. The other storyline was about a lad teaching, what I presume to be his girlfriend, to drive. The whole thing, despite the lack of action, is strangely listenable. I thought it was going to get a bit interesting last night, someone was waiting for the test results to come back 'all clear'. What was that, a story involving the Big C or someone with a dose of gonorrhea? No, they were waiting for test results on bovine TB. Great! I love it when you watch or listen to some kind of serial and have absolutely no clue what's going on.
But where is Ambridge? The accents are all over the shop; one character, Ruth, has an accent that's part Scot, part Geordie and part Somerset. Unless her dad moved her around a lot as a child of course.
I've also taken to listening to Front Row, which is on directly after The Archers. The thing is Mark Lawson sometimes does it and I always find my enjoyment of Mark Lawson is tempered if I can't see his big jowly chops bobbing around every time he nods his head.

I dropped off to sleep at work again yesterday. For about 15 minuted this time. I'm seriously going to find myself at the source of a creek called Shit sans paddle if I get caught. Much as I hate my tedious job I really can't afford to lose it, especially with the jobs market the way it is. Perhaps it happens because I'm ill, didn't Arthur Lowe have that sleeping illness where he'd drop off to sleep mid-conversation? Or perhaps I'm like that green iPod-wearing triangle on the BUPA ad which keeps dropping off to sleep on the way to work. Or perhaps my job's so mind-numbingly boring at the minute I can't help myself. Who knows? It needs to stop, I know that much.

One of the few upsides of working shifts means that next week I'll be leaving work while most other people are still on their lunch breaks. I think I might go to the pictures in the afternoon next week. I might go and see that Frost/Nixon, despite Miachael Sheen. It's years since I've been to the pictures on a weekday afternoon, I'll probably be the only one there. Anyone care to join me? Thought not...

Here's a song which Radcliffe and Maconie played an updated and remixed version of last night. The updated version contains the line "Just because you have a blog doesn't make you a journalist". A genius piece of work in my book.


Tuesday, 6 January 2009

To cut a reformation short, I lost my mind


Of course one of the things I love about working late shift is that I can listen to Radcliffe & Maconie on Radio2 of an evening. I tuned in last night for the first time in ages and it really is a show full of delight. What a musical selection: The Yardbirds, Split Enz, David Bowie, Rush (yay!), The Divine Comedy, Nick Lowe, Marvine Gaye, Radiohead, Fleet Foxes, Lily Allen and Iggy Pop, amongst others, all got an airing last night. As well as a three song set by Adrian Edmondson's band, The Bad Shepherds. They play folk covers of punk and new wave songs; last night's set featured songs by The Clash (even an anti-Clash fan like me got a load of enjoyment from hearing I Fought the Law on the uilleann pipes and bodhran), Kraftwerk and Wreckless Eric.
I know I bang on about the R&M show sometimes but they really are worth listening to if you're disenchanted with the telly of an evening.

The R&M show last night mentioned this story about Spandau Ballet getting back together. I keep banging on about 80s reformations too, but why do this? Everybody knows that Hadley and Gary Kemp hate each other so it's so nakedly about earning loadsa cash it makes me sick. Here's the most telling quote from that small article: "It would be a great, fun comeback and very lucrative for the band." Just take out the words 'great' and 'fun' and you're getting there. No doubt the fortysomething fans'll be queueing up for tickets. Don't go, you're only encouraging them.
I'll give Hadley the same advice I gave Midge Ure a month or so ago: don't do it Tony - you can be crap on your own without four other kilted and tartan-tea-towelled-bedecked mongs as well.