Friday, 18 February 2011
Take a match to these two
I detest those two fuckwits. In fact I don't just detest them, I hate them. Whoever thought this would make a good idea for an advert has obviously never been inside a music shop. For the uninitiated, music shops are even more of an intimidating place than independent record shops. The minute you walk in the door the bloke behind the counter will say "Ay up, mate, can I help?" (cos he's your mate as he knows that you know how to play something. Or not, in my case). You never walk in and just start picking out a tune on an instrument, unless you're the kind of cretin who goes in just to show off his "chops" on an "axe" he could never afford in a month of Sundays by playing Van Halen's Eruption.
And what's all this "I like old movies" bullshit? He likes old movies like the Godfather Pt. 3. That's hardly an "old movie", is it? The first time I saw it I was expecting him to say "I like old movies, like The Battleship Potemkin". The Godfather Pt.3 was released in 1990, oh yeah, very old. Mind you, to these two pillocks 1990 probably was a long time ago considering she looks like she was born when the Poll Tax riots were going off. And isn't it funny how he's a little bit quirky-looking but not exactly ugly while she's got a face like a doll. How come he doesn't look as though he's the bastard love child of Olive off of On the Buses and Plug off of The Bash Street Kids?
Besides, who actually does that? You know just start picking out a tune like that in the hope that this lass might take a shine to him? I can just imagine my song:
"I like fairly new, ugh, 'movies' like Gregory's Girl and Reservoir Dogs...but that's just me. I listen to Radio Nottingham at the weekends but only for the football. I fart in my sleep. I also have an unhealthy interest in the Cold War and I don't like shaving very much as you can probably tell, but that's just me. Oh, and I don't moisturise but I have got a manbag just to prove I'm not a neanderthal, but that's just me"
And while we're on adverts, how come 'Toilet Duck' is now just called 'Duck'? What happened? Didn't Mr Duck and his germ-fighting, bog-cleanser-squirting aeroplane like being associated with human functions? Flaming spoilsport.
And there's two massive flaws in that new Yellow Pages/JR Hartley ad: there aren't that many record shops left any more. And as if his real name's Day V Lately, when he rang to reserve his copy surely he'd have given his real name like Clive Biscuits or Tom Gusset.
I hate ad men. Apart from those in Mad Men.
Friday, 11 February 2011
Gladstone Bag
I watched that documentary about Ronald Reagan this week. Hmm, funny fellow. Anyway, this film featured a bloke whose job it was to persuade American states, counties and towns to name something after the 40th prez. That's his job, can you imagine? And he's not the only one, he was the HEAD of the naming people so he must have underlings.
All of which got me thinking: we don't name things after politicians in the UK, do we? Things are named after Royals (okay, I know that they're head of state like the American presidents but unlike American presidents they're technically politicians) or military leaders from 200 years ago. I think more things must be named after the Duke of Wellington than anything else (and yes, I know Wellington was PM but surely he's more remembered for Waterloo). This is a country where the only things I can think of named after our greatest leader is a tank and a nodding, monosyllabic insurance bulldog. This is a country where airports are named after selfish singers and alcoholic footballists. How is that allowed to happen?
I think it's time we redressed the balance. For instance, how about the Herbert Asquith public toilets? The Alec Douglas-Home amusement arcade? The Clement Atlee fountain? The Neville Chamberlain airport where everyone steps off a plane saying "I hold in my hand a piece of paper..."? The Ramsay MacDonald dogging spot? I'm sure the ladies out there would love to go for an examination at The Edward Heath Centre for Gynaecological Excellence. How about the James Callaghan Memorial School of Economics? The Margaret Thatcher Museum of Mining? The Gordon Brown Charm School?
Us Brits are missing out here.
All of which got me thinking: we don't name things after politicians in the UK, do we? Things are named after Royals (okay, I know that they're head of state like the American presidents but unlike American presidents they're technically politicians) or military leaders from 200 years ago. I think more things must be named after the Duke of Wellington than anything else (and yes, I know Wellington was PM but surely he's more remembered for Waterloo). This is a country where the only things I can think of named after our greatest leader is a tank and a nodding, monosyllabic insurance bulldog. This is a country where airports are named after selfish singers and alcoholic footballists. How is that allowed to happen?
I think it's time we redressed the balance. For instance, how about the Herbert Asquith public toilets? The Alec Douglas-Home amusement arcade? The Clement Atlee fountain? The Neville Chamberlain airport where everyone steps off a plane saying "I hold in my hand a piece of paper..."? The Ramsay MacDonald dogging spot? I'm sure the ladies out there would love to go for an examination at The Edward Heath Centre for Gynaecological Excellence. How about the James Callaghan Memorial School of Economics? The Margaret Thatcher Museum of Mining? The Gordon Brown Charm School?
Us Brits are missing out here.
Friday, 4 February 2011
Kwitter
Hello. What you've just witnessed was me taking a break from blogs for the month of January. Not only did I take a break from blogs, I also took a break from social networking sites. Oh yes. And I feel much better for it too. I knew that something had to give when I my drumming tutor told me I was becoming obsessed with Facebook. He could tell I was becoming obsessed because I was checking Facebook on my phone in the middle of a drumming lesson.
So come January 1st I deactivated my Facebook account and did the same with Twitter. The trouble with Twitter is that you can't deactivate your account without deleting it. So I did. I have to say that I don't miss it. Twitter is something that I don't feel I've ever really come to grips with. It's okay for finding out about stuff, but it's pretty unokay if you're not particularly interested in X Factor or Question Time as your Thursday and Saturday night Twitter feed will be clogged up with people quacking on about both. I believe this is called, ugh, 'sofalising'. I'd call it 'a bag of wank.' I can't pay attention to TV shows and use my mobile internet device at the same time. Sorry. So I am no longer a Twitterer, which probably comes as a great relief to people who followed me.
As for Facebook, I bumped into a friend at Forest three weeks ago who asked me why I wasn't updating my Facebook profile any more. I told him it was because I was having a break from it. He replied "To be honest, you were getting on my tits a bit." Which I took as meaning that he thought I was a little verbose and gobby. I liked his honesty, it's made me look at how I handle myself on Facebook. Although that friend has now been deleted from my Facebook friends. There's being honest and there's being a honest. If he don't like it, he can fuck himself*, just because he writes about Forest for The Observer....
I have to say it's all been rather freeing. I've watched films, listened to LPs, practised a lot more on the drums and got through tons of stuff on my TV hard drive. You should try it, and I'll definitely do it again.
Anyway, as for the blog I've decided not to blog as much and change what I blog about. I mean who wants to read another bloody blog about the queue at the bank or supermarkets or the neighbours? I don't, especially when others do it so much better than me. I also won't be blogging as much as instead of working for 8 hours a day 5 days a week, I now work 10 hours a day 4 days a week so I won't have so much time.
But have this, it's great. I wonder what they'd have been like if they hadn't spent the mid to late 70s traipsing around the stadiums of America as Aerosmith's support act but doing more stuff like this:
*Not really, yeah I've deleted him but he's still a sound lad.
So come January 1st I deactivated my Facebook account and did the same with Twitter. The trouble with Twitter is that you can't deactivate your account without deleting it. So I did. I have to say that I don't miss it. Twitter is something that I don't feel I've ever really come to grips with. It's okay for finding out about stuff, but it's pretty unokay if you're not particularly interested in X Factor or Question Time as your Thursday and Saturday night Twitter feed will be clogged up with people quacking on about both. I believe this is called, ugh, 'sofalising'. I'd call it 'a bag of wank.' I can't pay attention to TV shows and use my mobile internet device at the same time. Sorry. So I am no longer a Twitterer, which probably comes as a great relief to people who followed me.
As for Facebook, I bumped into a friend at Forest three weeks ago who asked me why I wasn't updating my Facebook profile any more. I told him it was because I was having a break from it. He replied "To be honest, you were getting on my tits a bit." Which I took as meaning that he thought I was a little verbose and gobby. I liked his honesty, it's made me look at how I handle myself on Facebook. Although that friend has now been deleted from my Facebook friends. There's being honest and there's being a honest. If he don't like it, he can fuck himself*, just because he writes about Forest for The Observer....
I have to say it's all been rather freeing. I've watched films, listened to LPs, practised a lot more on the drums and got through tons of stuff on my TV hard drive. You should try it, and I'll definitely do it again.
Anyway, as for the blog I've decided not to blog as much and change what I blog about. I mean who wants to read another bloody blog about the queue at the bank or supermarkets or the neighbours? I don't, especially when others do it so much better than me. I also won't be blogging as much as instead of working for 8 hours a day 5 days a week, I now work 10 hours a day 4 days a week so I won't have so much time.
But have this, it's great. I wonder what they'd have been like if they hadn't spent the mid to late 70s traipsing around the stadiums of America as Aerosmith's support act but doing more stuff like this:
*Not really, yeah I've deleted him but he's still a sound lad.
Tuesday, 21 December 2010
Ripping off each others clothes in a most peculiar way
Hello, people who read this shite. How are you? Oh dear, really? Oh well, never mind, it's nearly Christmas. Yeah, yeah, I'm not too bad, wish I could shake off this cold, but as The Boy Lard used to say in his best Joe Gladwin voice "Musn't grumble!", but thanks for asking. As it's nearly Christmas I'll give you my highlights and lowlights package of 2010. Have a good Christmas and I hope that rash goes in 2011.
Lowlights - Groo!
Lowlights - Groo!
- The ceaseless march of Simon Cowell
- The general election
- Nick Clegg
- The dick at the local VW dealership who sold me a car. Love the car, hate car salesmen
- iPhone users. Stop being so smug. I consciously didn't choose the iPhone. I did that just so iPhone users could go "Of course, you should have got an iPhone"
- iPad users. As it said in Viz Top Tips "Giants: an iPad makes a handily-sized iPhone."
- Lady Gaga. Bored now
- Survivors series 2. Terrible, gave up after episode 3
- ITV dropping Dexter
- The top 10 constantly featuring songs I don't know, usually by Tiny Temper ft. Mary Hinge or Jay Z ft. Mike Hunt
- Nottingham Forest getting done over by Blackpool in the playoffs. I left the home leg with their lot shouting "Can we play you every week!?" ringing in my ears. Ooh, I was mardy
- Radio 2 thinking it's okey-dokey to drop their best show down to three nights a week just so Jo Whiley can introduce five year old concert recordings of Roxy Music because they have to bow down to what the BBC governers' survey suggested
- Mock the Week. Why is this still on?
- Take Me Out. A televised cattle market presented by the world's unfunniest berk
- Seeing Nick Griffin
- Prolonged cold weather and snow
- Wilko Johnson at the Rescue Rooms
- On a related note, Oil City Confidential
- Rush: Beyond the Lighted Stage. A joy of a documentary DVD, this is why people love Rush
- North Atlantic Oscillation's Grappling Hooks LP
- The Divine Comedy's Bang Goes the Knighthood LP
- Standing on top of one of Britain's highest mountains and marvelling at the view
- 'Meeting' Billy Connolly
- Micky Flanagan at Edinburgh. What a pity he picks such shit TV work
- Stewart Lee's If You Prefer a Milder Comedian... DVD
- Finally seeing The Ukulele Orchestra of Great Britain
- Finally getting round to learning to play the drums and stuff that goes with it like making new friends
Thursday, 16 December 2010
Electric Landlady
On Saturday it'll be 10 years since Kirsty MacColl died. I remember the day well, I was working for a well known crisp manufacturer at the time and the news came on the radio in the afternoon. I don't ever recall being so affected by a 'celeb' death before or since. I was too young to appreciate the enormity of Lennon's assassination, I vaguely remember Elvis's death, and although I was a big fan, it could hardly be said that the death of Kurt Cobain came as a massive shock.
I think it was the manner of her death which knocked me for six the most. It upset me that such a beautiful person could die in an horrific manner, the only comfort was that she was trying to save her kids. I've always found it upsetting that nobody has ever been properly brought to justice over her death and the campaign to get justice has had to be wound up.
You see, I'm a massive fan. Not only was she a songwriter of enormous talent herself but she was also one of the great interpreters of other people's songs. Try her takes on The Kinks' Days (her version of which got played at my dad's funeral), Billy Bragg's New England or the less well known cover of The Smith's You Just Haven't Earned it Yet Baby.
I quite often find Morrissey a tiresome bugger these days but I love what he said about her: "She has great songs and a crackin' bust." I love that, and no doubt Kirsty did too. As I also think she'd have loved Lemmy's view of her that "She was a top bird, was Kirsty".
Sleep well, Kirsty.
I think it was the manner of her death which knocked me for six the most. It upset me that such a beautiful person could die in an horrific manner, the only comfort was that she was trying to save her kids. I've always found it upsetting that nobody has ever been properly brought to justice over her death and the campaign to get justice has had to be wound up.
You see, I'm a massive fan. Not only was she a songwriter of enormous talent herself but she was also one of the great interpreters of other people's songs. Try her takes on The Kinks' Days (her version of which got played at my dad's funeral), Billy Bragg's New England or the less well known cover of The Smith's You Just Haven't Earned it Yet Baby.
I was lucky enough to have seen her live twice. The first time was at a free festival organised by a brewery for which I was lucky to receive two passes allowing me and a mate to watch her from the side of the stage (my boss handed me the passes saying "'Ere you like music, this is tonight, the Heineken rep's left 'em. Someone called Kirsty McEwan's on." I didn't need asking twice). Of course, I swooned, she looked gorgeous in a purple velvet dress. The second time at Leicester De Montfort University when she was promoting her greatest hits set, Galore. I seem to remember getting as close to the stage as I could without looking like a stalker.
And as well as her prowess as a songwriter and performer there was that voice. Nobody has sounded like her before or since. Stunning. No wonder she was always in demand for backing vocals and duets.I quite often find Morrissey a tiresome bugger these days but I love what he said about her: "She has great songs and a crackin' bust." I love that, and no doubt Kirsty did too. As I also think she'd have loved Lemmy's view of her that "She was a top bird, was Kirsty".
Sleep well, Kirsty.
Monday, 13 December 2010
Hey nonny-nonny
Did you have a nice weekend watching telly? I did. I was struck by two programmes on BBC4 about traditional music and dance. First up was Charles Haywood's Come Clog Dancing, where the conductor tried to get the people of the North East reinterest in their tradition of clog dancing. Sounds like a bit of a dry old subject, eh? Well, I quite enjoyed it, and thefalsh mob manner in which it was done - in the centre of Newcastle - was a stroke of genius.
The second programme featured the Unthank sisters. I don't know if you know then but they're a couple of sisters from Northumberland who sing folk songs and incorporate clog dancing into their live shows. I've always found their music a little dreary and Rachel Unthank has a tendency to have a fasce like a slapped arse most of the time. they certainly livened up on Still Country Dancing After All These Years. Yes, that's right country dancing. I'm talking morris dancing here. I know that morris dancing sends a shiver up my spine, let alone yours. BUT it is a great English tradition, isn't it? We know all about the Irish and Scottish traditional music and dance, but being English you're supposed to be embarrassed by anything traditional. Why is that? Unfortunately for me I'm as English as they come, yes it would be nice to have a bit of Scots fire or Irish heart in my blood but I'm about as Anglo-Saxon as you can get (fair hair, blue eyes both parents families from the east of England. I've even got the most Anglo-Saxon name imaginable).
So this programme went around different parts of England over the summer months discovering old Englaish dance traditions. Yes, I know Cotswold morris can be tiresome (think flowers around hats, bells around ankles, hankies and a pewter tankard attached to the belt), but some of the real Pagan stuff is terrific, I think. For example, who wouldn't want to go to Padstow during the Obby Oss festival in early May? I know I'd love to go. For those unfamilliar with the Obby Oss, a man dresses as a 'horse' and entices local maidens under the horse's skirt where they become fertile. I reckon that's great. I love the way these traditions are usually about fertility; it always makes me laugh that the Maypole that primary school children dance around is a representation of the penis. Not only that, but seeing someone getting twatted over the head with an inflated pig's bladder is always funny.
Anyway, with all that fertility and Rachel Unthank lightening up rather a lot I started having improper thoughts about two Northumbrian singing sisters myself.
Here's a song about reviving English tradition (although I do find Show of Hands a little worthy sometimes), unfortunately it's come onto the BNP fuckwit radar just recently. Looks like we'll have to claim it back. Why do they spoil everything?
What I don't recommend you watch is something else that was on BBC4 over theweekend called Folk at Christmas. It was rotten. It was like a folk The Good Old Days with those tiresome fuckers Bellowhead. The audience were dressed like pricks, the Unthanks were back in misery mode and the compere thought he was funny. Avoid.
The second programme featured the Unthank sisters. I don't know if you know then but they're a couple of sisters from Northumberland who sing folk songs and incorporate clog dancing into their live shows. I've always found their music a little dreary and Rachel Unthank has a tendency to have a fasce like a slapped arse most of the time. they certainly livened up on Still Country Dancing After All These Years. Yes, that's right country dancing. I'm talking morris dancing here. I know that morris dancing sends a shiver up my spine, let alone yours. BUT it is a great English tradition, isn't it? We know all about the Irish and Scottish traditional music and dance, but being English you're supposed to be embarrassed by anything traditional. Why is that? Unfortunately for me I'm as English as they come, yes it would be nice to have a bit of Scots fire or Irish heart in my blood but I'm about as Anglo-Saxon as you can get (fair hair, blue eyes both parents families from the east of England. I've even got the most Anglo-Saxon name imaginable).
So this programme went around different parts of England over the summer months discovering old Englaish dance traditions. Yes, I know Cotswold morris can be tiresome (think flowers around hats, bells around ankles, hankies and a pewter tankard attached to the belt), but some of the real Pagan stuff is terrific, I think. For example, who wouldn't want to go to Padstow during the Obby Oss festival in early May? I know I'd love to go. For those unfamilliar with the Obby Oss, a man dresses as a 'horse' and entices local maidens under the horse's skirt where they become fertile. I reckon that's great. I love the way these traditions are usually about fertility; it always makes me laugh that the Maypole that primary school children dance around is a representation of the penis. Not only that, but seeing someone getting twatted over the head with an inflated pig's bladder is always funny.
Anyway, with all that fertility and Rachel Unthank lightening up rather a lot I started having improper thoughts about two Northumbrian singing sisters myself.
Here's a song about reviving English tradition (although I do find Show of Hands a little worthy sometimes), unfortunately it's come onto the BNP fuckwit radar just recently. Looks like we'll have to claim it back. Why do they spoil everything?
What I don't recommend you watch is something else that was on BBC4 over theweekend called Folk at Christmas. It was rotten. It was like a folk The Good Old Days with those tiresome fuckers Bellowhead. The audience were dressed like pricks, the Unthanks were back in misery mode and the compere thought he was funny. Avoid.
Tuesday, 30 November 2010
Bostin
I went to see Wilko Johnson the other week. He had this support act on (rather good actually, bluesy rock 'n' roll and the bassist looked like Plug off of The Bash Street Kids and they manged to reference both Pendolino trains and the NEC into their lyrics), trouble is they didn't announce what they were called when they walked on stage. So, as they said a few perfunctory 'hellos' and asked if we were 'ready' I noticed a bit of an accent. 'Hello' I thought 'these chaps sound like they come from the West Midlands.' Now you have to be careful here because you'd logically assume that they're from Birmingham but there's no generic West Midlands accent, apparently. But I took the view that they were from Birmingham, so as they didn't give their name at the start of the gig in my head they were called Some Brummies. I think that's rather a good name, certainly better than their proper moniker, People's Republic of Mercia. Which got me to thinking of a name for the prog-metal-punk-psych-folk-new wave-electronica band I'd like to start and be the drummer of . Here's a few names I've been toying with :
- Dollop
- Trains That Won Wars
- English Electric Lightning
- Vitamin Q
- The Fighter Pilots
- The Biscuit Factory
- Hogarth Flyover
- Chocky's Children
- The Vulcanologists
- Blame Canada
- Tobes of Hades
- Das Boot
- Anywhere But Here
- Boffin's Island
- The Catering Front
- Two Day Hot Tub Event
- Shoplifting Shame
- Get to Falkirk!
- Bazookas
- Check the Chips
- Real Life Spy Thriller
- Potty Time
- Psychic Octopus
Labels:
Birmingham,
Dr Feelgood,
music,
People's Republic of Mercia
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