Phil Collins then. Where do you stand on him? He makes it very difficult to love him sometimes. As a prog rock aficionado, with an interest in drummers, I should be unremitting in my praise for him. He is, correctly, regarded as one of the all time great drummers (although lesson one, when you have drum lessons, is not to hold the sticks as he is in that photo. One mishit and you'll break your index fingers). The problem he has is that instead of just sticking to the drumming, and singing, with Genesis, he has to do all the other stuff. The stuff that gets people's backs up.
There was a chink of light in his recovery in public perceptions of him last month when he told Mojo magazine that he realised in the 80s and early 90s he could understand why he was viewed as an annoying little turd, and, looking back, he even thought he was himself. How can anyone look back at the cover of No Jacket Required and think it was a good idea - looking like a baked bean with a face?
Why then does he have to undo all that good work by releasing an album of Motown and soul covers? I've heard tow tracks from it, Martha & The Vandellas' (Love Is Like A) Heatwave and Stevie Wonder's Uptight (Everything's Alright). I'm of the opinion that unless you're going to bring something new to a cover, then DON'T DO IT. Both of those records are pretty damn perfect as they are, why does he mess with them and put his voice all over them? Phil, Phil, Phil, is there any way back for you? Just as you were getting everyone else on side.
He can't play the drums any more so he might as well retire. Or go back to Genesis and just sing. But no more covers albums, pur-lease.
1 comment:
Where do I stand on him? Easy to criticise, easier to respect.
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